FOUR
The Modern Era Gallery was packed
by the time I got there. It was a small space. Small spaces ruled Brooklyn. High
rents ran the show. The gallery had a narrow front room to display art. The
back room was for the performances. The current art looked like scribbles done
by a five-year-old. Still seeing some of the prices on the art work provided me
with a quick money-making scheme the next time my library did a finger-painting
program for toddlers.
Another weeknight
shot to shit at a poetry reading. I could’ve used another drink. I’d killed my
pint of vodka on the walk to the reading, and you couldn’t get drunk in bars in
Williamsburg unless you were heir to a small inheritance. Six dollars a draft
constituted a happy hour. Happy for whom? How could anyone get a buzz at those
prices? These Millennial hipster kids were aliens. I had no clue how they
decompressed. Maybe cell phones and binge-watching television shows were drug
enough. But I couldn’t be too hard on them. With the way this country was
going, if I had to work until seventy, they’d all be working until they were
dead.
“There you are,” Killian said. He was standing
behind an old dilapidated bar that had been converted into a merch table, and
was covered in poetry books from the various readers, present company excluded.
All Rand ever wanted was his book, but instead he got a poetry community. Killian’s brown cardigan was
all that stopped us from looking like flannel clad, faded jeans twins. That and
the fifty pounds I had on him. “You skipped the pre-reading happy hour.”
“I’m not coming to
the pajama party either,” I said.
“Well now you’re
just being rude.”
“Where’s Gigi?”
“I have no clue,”
Killian said. “I only employ her. I don’t keep a chain around her neck.”
“Good. My ego has
been chipped at enough today. Some homeless musician threatened to punch me out
because I wouldn’t give him a library card without proper I.D. The last thing I
need is one of Jackson Urban’s harem giving me shit.”
“As you’ve taken
to calling her in person and online almost daily since Cornelia Street, Rand,”
he said. “That said it would be a very hard thing for me to do, as your very
oldest friend, banning you from the store for being a misogynist and a budding
internet troll.”
“Gigi’s the one
who called me a fascist first,” I said. “And I wasn’t even suggesting we round
up all of the artists and put them in camps. I merely meant we should slap them
around a little bit for creating tepid and banal shit. Okay, maybe lock up a
couple of Hollywood actors and actresses for shits and giggles, but…”
“You sound like
that orange-hued moron running for president.”
“I sound nothing
like him,” I said. “You forget. I’m the originator of the falafel taco. I love
Muslim and Latino people so much I mix their cuisines together. Unless they’re
poets. Then they can go to hell.”
“You can see where
Gigi could be offended though,” Killian said.
“I actually meant
what I said as a wakeup call.” I pointed to a cooler behind the bar. Killian
handed me a tall can of something I didn’t recognize. “Let’s take a look at the
way the world is now, shall we? Wars everywhere. Refugee epidemics. Right-wing,
extremist lunatics running for office. Perpetual gun violence. People hoped up
on opioids playing video games for days straight. Climate change disasters.
Potato chips with strange flavor combinations and people drinking something
called coconut milk. And is anyone writing about this stuff? Singing songs
about the horror? Making movies about social injustice? No. They’re all just
walking around with their heads buried in their phones eating chipotle-dill
flavored artisan kettle chips. I’m sorry, but a meme of Willy Wonka shaming
people for cultural genocide, whatever that
is, is not social change.”
“You’re saying The Asshole at the End of the Bar is a
revolutionary pamphlet?” Killian said. “That basically Dive Bar Press is
sitting on the next Thomas Paine or Philip Freneau?”
“Phili…. all I’m
saying is that there are sixteen-year-old girls out there who’ve only lived
under war,” I said. “And in two years they’re going to need a guy like me to
comfort them as they navigate this barbarically fascist landscape that we’re
setting up in tandem with the good ol’ sturdy foundation of white
supremacy and the patriarchy.”
“You’re forgetting
the flavored potato chips, Pal,” Killian said.
“Never. And all I
was just trying to tell Gigi was that we need real artists out there now. It’s
time for her generation to step up seeing as we Xer’s have failed and are now a
part of the system with our money and property and television franchise reboots.
The last thing we need is a book about a teenager with magical powers whose
LGBT sensitive and lives in an urban dystopia.”
“Pretty much the
plot of one of Gee’s books,” Killian said. “And, once again, Rand, it’s
LGBTQIA.”
“It’s the vowels
that get me,” I said. “And I have dystopia right outside my front door.”
“No you don’t,” he
said.
“There are two
bumper stickers for the orange-faced billionaire stuck to a street cleaning
sign, and I have a red-eyed hound from hell who barks at me from across the
street. Tell me that’s not dystopia.”
“And what money
and property do we have? Last I checked I was living paycheck to paycheck and we
both rented.”
“I was talking
about our betters,” I said. “The ones who didn’t get English lit degrees and fucked
off from our classes for pastries and bottomless cups of coffee.”
“By the way you’re
reading last.”
“I’m the show
stopper?” I said.
“Tricia Thread
cancelled,” Killian said. “Claims she had to meet her agent to talk about a
follow up. No one else wanted to read last, so you’re as show-stoppery as we’re
getting tonight.”
“First time out
the memoir box and that bag of cheese gets an agent, a two-book deal and a
tepid review in the New York Times,” I said. “Explain to me how that happens
for some people.”
“She didn’t skip
classes in college? Luck?”
“Luck my ass.” I
had some beer. It tasted of burnt wheat. “I’m surprised half the poets in this borough
haven’t gone after Thread with pitchforks and torches for what she wrote about
them.”
Killian laughed.
He had a pull on his beer. It went down easy. I must’ve been missing something.
“Let’s not forget her poem book about Miley Cyrus.”
“I’m still
traumatized by it,” I said. “Fidel publishes that crap yet I’m sitting on his
PC in permanent PDF mode.”
“I dare not say
the word manana,” Killian said.
“That word means fuck you, Rand in Spanish.” I took down
half the beer. Something called an IPA. Decades on a desert island and I’d
never get used to the taste. If this was all there was to drink, I’d become
temperate, maybe do something of value with my life. Nah, I’d probably just
adapt and declare myself King IPA.
“I think fuck you,
Rand, is a phrase,” Killian said.” Jodete,
Rand, if I’m correct.”
“Careful with the
Mexican,” I said. “I have a co-worker that’ll have you deported without
question.”
“Is this the one
printing poems?”
“Who knows?” I
said. I took down the rest of the wretched tasting sludge. In the end free beer
was free beer. “They’re all conspiring against me. I have this one old fucker;
I can’t even get him to come to work.”
Killian got me
another then leaned on the bar old timey style. “Well, paybacks are a bitch” he
said.
“Paybacks?”
“Rand, how many
supervisors have you nudged toward an early retirement?”
“I gave those
fiends excitement,” I said. Killian shrugged. “I gave them verve. Those men
were all working and living on autopilot until I showed up with a fudged
application and stained uniform in hand, and a general unwillingness to punch a
time card. Without me entering their lives those scoundrels would never know
the value of retirement.” I looked around for Larissa. “And where is our little
Wiccan social networking exhibitionist this evening?”
“Waiting to
read…and I don’t think Larissa is a witch,” Killian said. “I think she’s emo.
Or punk.” He cracked a new beer. “Honestly, I’m too old to tell the difference
now.”
A loud burp rang
throughout the gallery. Burly Francis Dune tapped the mic on the stage with a
beer clamped paw, and there was a deafening thud throughout. He stood there.
Bearded. Flannel. Immaculate. He had his hand over his eyes scanning the room
like a battlefield general. On average Francis could kill a case by himself,
and he could write a motherfucker into the dirt. He burped into the mic again
as people took their seats. He started his introductions. I stared at the room
while I imbibed the new miserable experience of beer two. I’d kill for vodka.
The room was purple. Purple was a royal or calming color. Maybe it gave people
seizures. I didn’t know. There was more bad art on the wall. Paintings this
time. Red and black smears. De Kooning on his worst day. I looked for a seat
but there wasn’t shit left. Standing room only for poetry on a working man’s
weeknight. America really was heading in a bad direction.
“It usually this
ominous,” I said, too loud.
“You know we
always draw well,” Killian whispered.
“The dead leading
the dead.”
Someone in the
crowd hushed me, as Larissa Haven-St. Claire took the stage. Truth be told she
wasn’t much different on stage than in her Facebook pictures. That night she
was wearing a black Sid and Nancy t-shirt as a dress, like the Sonic Youth one
before it, that complemented her pale, tattooed muscled legs and those black
combat boots. Larissa did the jet-black hair better than most. It looked almost
natural on her, the way it curved to her breasts. Ah, to be entangled in that. I
was sure she was pushing thirty but she was still writing poems about how her
high school boyfriend had treated her like shit, how all men treated her like
shit. Men at college. Men at work. Men on buses and trains. Men standing in
line to get their morning cup of coffee. All men were dogs in Larissa’s world.
She was one-hundred percent correct from what I’d seen of my gender. Yours
truly was ready for a good matriarchy.
“It’s senseless
for me to use paper in a world of so much waste,” Larissa said by way of an
opening. “Tonight, I’m going to read poems from my blog on my tablet.” She held
up her thin silver sliver of technology for the hoi polloi to gaze at in
wonder. I wondered if she had a poem about the poor Chinese kids forced to make
those fucking things. I know I had a poem about some asshole on the bus playing
a video game at top volume for our whole thirty-minute ride through crawling
Brooklyn streets. I called it: Angry Bird
Me Again and I’ll Sink You into the Depth of My Own Malaise.
“That seems fair,”
I said to Killian. “But maybe she should’ve written them using organic coffee
grounds. And blood. Poets love to write in blood.” Another poetry lover shushed
me. I had more beer. I spied Larissa’s legs. One of the tattoos might’ve been a
pentagram.
“This first one is
called Ode to your Wayward Salamander,”
she said. I’d seen this poem online. Larissa had a YouTube page where she sat
in front of a black background and read her poems clad only in a Morrissey
t-shirt and knee-high white boots. Salamander was a euphemism for penis from
what I’d gathered in repeated viewings.
She started
reading the poem, and it went something like this:
There you went
there you went
back under the little
rock
again
of yours…
I closed my eyes
and drifted off into La-la Land where I wasn’t at a poetry reading. I was
somewhere where Carolina hadn’t hijacked my life for her novel, and there were
no hangovers or shitty writing mornings, loud neighbors or idiot employees. I
was some far-off place where putting my head between Larissa’s inked thighs was
a requirement and a duty that I took on with noble intent. I was out maybe a
minute, just getting started on the fantasy, rolling Larissa on her stomach,
when suddenly her dull cadence broke. She was on stage staring down at her
tablet. Then Larissa started moving around. She went back and forth across the
stage like she dropped her cat-eyed glasses or lost a contact or had to take a
shit. Perhaps she was a performance artist as well as poet, painter, filmmaker,
actress, guru, yoga instructor, spiritual guide, co-op volunteer, general
provocateur and…whatever else her Facebook page said that she did.
“Ummm,” Larissa
said. “I lost my internet connection.” There was a hush in the crowd. Climate
Change. Genocide. Terrorism. A dropped WiFi connection. We were living in hard
times. Some people checked their cell phones in solidarity, trying to find that
lost connection. Some Pad-hole picked up his own tablet and shook it like an Etch-A-Sketch. People started shouting
that they had the internet. It was a subtle mutiny. “Then could someone check
the cables or something? I mean, like, my poetry blog is the only medium that I
have to access my art this evening. You know if we can’t provide for those of us actually trying to save the environment
then what does that say about us as a species?”
“She is aware that
the internet runs on electricity?” I said to Killian. “Which is currently
powered by coal.”
“When did you
become the environmentalist?”
“When it became eighty-one
degrees in New York in late October,” I said. “And today I helped some hot
Chinese coed with her paper on emerging fuel technologies. Personally, I was amazed
at the lengths I went to for a smiling seventeen-year-old unseasonably clad in
biker shorts.” I got shushed again.
“Then you should
be digging this, man,” Killian said. “Larissa’s doing it exactly how you told Gee
it should be done.”
“I’ll believe her
when she goes to Syria to read poems.” I looked at the poetry table. Larissa
had more books, chapbooks, manifestos, pamphlets and broadsides than everyone
else combined. She’d helped kill more trees than a northwestern lumberjack
hopped up on amphetamines, coffee and eminent domain. “Or I’ll believe it when
fair Ms. Haven-St. Claire goes strictly e-book or…”
I was shushed
again. I killed beer two as Larissa continued walking about the stage. She
finally found her Internet connection somewhere toward the back where the mic
wouldn’t reach and where the spotlight wouldn’t go. She finished her set by
shouting in the semi-dark. Of course, Larissa read over her time limit. As she
left the stage people weren’t sure whether to clap or not. They all checked
their cell phones instead.
“You did great,” I
said, when she walked past me. Larissa Haven-St. Claire looked none too pleased
by what transpired on stage.
“Oh great,” she
said, “More mockery from the patriarchy himself.”
Then I watched her
strut into the gallery and grab this big black coat off the rack, before
angrily walking that yoga sculpted ass right outside the door.
“Where’s she reading next?” I
asked. “Gitmo?”
“Park Slope,”
Killian said.
“Semantics.” I had
some beer. “I don’t think she likes me very much.”
“You work on a
sliding scale of emotion with most people.” We were quiet a moment. “By the way
did Carolina forgive you yet?” Against all reason I flipped through a few of
Larissa’s books, mostly to get to the author picture at the end.
“Forgiven me?
She’s the one purloining my life for so-called art. I should be forgiving her,
or, at very least make her buy the drinks. Provided she answers my email.”
“Fidel wants her
book,” Killian said. “He wants you to talk to her.”
“About a book
making the fool of me?” I put Larissa’s book down; some tome called Damage Me, and pointed to the small mass
of dead trees arrayed in the erotic way only a seasoned bookseller could
display. “As soon as I see my book here, I’ll maybe mention something. Until
then my advocacy for Dive Bar Press runs thin.”
Then the next
sensitive, snowflake of a poet took the stage. Jackson Urban. Jackson had his
hair in those little twisted dreads that looked like they gave their wearer a
headache. His soul patch was groomed, and he was rocking retro flip-shades and
a t-shirt with a Keith Haring painting plastered on front. I knew Jackson
enough for him not to like me and me not to like him most days. And it wasn’t
even a racial thing. It was an asshole thing. He’d deleted me at least three
times as his Facebook friend, the last time because I’d called him a hipster
for shopping at Whole Foods and for using an assortment of buzzwords it would
take me a research grant to keep up with. Jackson Urban wasn’t even his real
name.
It was Reggie
Jackson.
Jackson had his
poems folded into his back pocket because he was keeping it real. He pulled
them out and stared at the folded pages. He stared the crowd down as if in a
room full of enemies, even though the bulk of our multi-ethnic, multi-cultural
crowd were there to see him. Maybe he just hated the art work on the walls. I
tried staring down an audience once, but some do-gooder took it for me being
blind, and after my set they told me all about his fantastic ophthalmologist
and the wonders of progressive lenses. Some people had that magical danger aura
about them, and others got good eye care advice.
“Do you ever just have
to wake up and write a poem?” Jackson said. The crowd couldn’t tell if this was
a threat or a challenge, but they hooted and hollered anyway. Jackson waited
them out. A few Christian soldiers started nodding along. “I mean really get
up, see that sun in the sky, and just have
to write a poem?”
“Is this pre or
post morning beer shit?” I said. I got hushed again. But I got a few laughs
too. The alternative version of me was somewhere in Hollywood writing sitcom
scripts and dating moody, sexually ambiguous actresses who wanted to be taken
seriously for their art, but instead made vampire and werewolf films in order
to keep the money rolling in.
Jackson heard the
laughter. He lifted a hand to his head so that he could see beyond the spotlight.
“Poetry isn’t a joke. Now if we’re done making a charade of this evening,” He
continued, “I’d like to read you something I wrote inspired by…”
“…Bob Kaufman,” I
said. I got hushed. I got laughs. I didn’t fucking care.
…. Bob Kaufman,”
Jackson said. “I call it Don’t Hang your
White Aesthetic on Me All Because My Clothes are Gap-worn.”
And his little
ditty went something like this:
I believe when I die
I’ll finally be
Gap-worn
two-hundred-dollar pair
of jeans
and a fifty dollar
oxford
the real american
aesthetic
the dull
the haggard
the white man’s jive…
When Jackson was
done with a poem, he crumpled them into balls and threw them over his shoulder
back toward that gloomy concave of darkness where Larissa Haven-St. Claire had
been forced to stand. What was with poets and discarding their writing on
stage? Maybe I should try setting mine on fire or doing origami next time. I
could make everyone a paper wine jug.
Jackson stepped
away from the mic to wipe his mouth. He was like Miles Davis in that way. “This
next one I don’t even know if I should read.” Jackson always had a poem he
wasn’t sure he should read. I had stacks of poems that I shouldn’t read, but
that was because they were for shit. “Words just too raw to me still.” Then he
launched into another poem. It was entitled These
Nike Strings like Nooses like AmeriKKKA at the Foot Locker Store. It went a
little something like this:
Dog don’t eat no dog
they don’t shuck and jive
disciples they economize
on the sweat shop floor
ameriKKKA
teenage kids on courts
dangling nike strings like nooses
hustling their fat asses
at the foot locker store…
Jackson Urban went
over time as well. But it didn’t matter. The people ate it up. They gave him a
standing ovation and he stood there on stage as if he deserved it. He did.
Jackson had taught us all some hard lessons about capitalism and product
placement. The chick who’d been filming him, who was a noted bad poet too, came
up on stage and hugged him. Someone handed them a picture of the orange-faced billionaire.
Jackson ripped it to shreds. Then he and the chick took a selfie together. He
didn’t smile. She did. The photo would be on Facebook, Instagram and Twitter
before I even exhaled.
“You’re next,”
Killian said to me.
I realized that
with one pint of hooch and two cans of beer I wasn’t nearly drunk enough to do
this. “Another round, bartender,” I said. Killian handed me another sweating
can, as Francis called halftime on the reading because people were so overwhelmed
by Jackson that they couldn’t go on. I took my beer and went outside.
“You know you
can’t drink that out here,” a voice said. I looked to my left and out of the
shadows came Larissa Haven-St. Claire with that t-shirt dress, with those
boots, and that big, black leather coat over top it all. She had cigarette on a
long stem. It was an e-cigarette.
“Aren’t you hot in
that,” I said.
“It’s going to get
colder,” Larissa said.
“I meant it as a
statement. All the same you really need to brighten the wardrobe.”
She didn’t look amused.
“Why not tell me I need to smile more as well.”
“Smiling is for
Republicans, Evangelicals and the damned.” I had some beer. Larissa wasn’t my
usual type, which meant she wasn’t a stressed out, drunken divorcee in a bar
bitching about her job, ex-husband or kids, or a twenty-year-old who’d laugh me
into embarrassment. But there was something about the teenage death chick look
she was still rocking. I’d never had a goth girl, emo girl, whatever. I’d also
never had a Black or Latina girl either or really any women but white women.
But I’d heard forty was the new twenty, so as long as the liver held up, I
still had a shot at vast and varied experimentation. “Where’s that wacky Gigi
at?”
“Why are you
always chasing girls twenty years younger than you,” Larissa said. Then she
sucked on her e-pipe. It turned bright blue like something out of sci-fi film.
E-smokes and smartphones. We were becoming more and more robotic by the hour.
“How do I expect
to stay fit,” I said.
“You could try
jogging instead of being an embarrassing stereotype.”
“Maybe I should
take up yoga.”
An eyebrow rose.
Yeah, I’d looked at those Facebook pictures. “I’d pay to see that,” Larissa
said. She sucked on her e-smoke again. The scent of cherry blossom hit the
unnaturally warm November air.
“Smoking is a bad
habit too.”
“Touché, Mr.
Wyndham.”
“I really meant what
I said by the way,” I said. “You did do great tonight.”
Larissa gave me a
side look. “I’d be a fool if I believed you, Rand.”
“I’m serious.
You’re one of the only people still taking on the whaling industry, and that
says something in this day and age of disposable commerce and mass
self-involvement.”
“Thank you, I
guess. The Wi-Fi is for shit here,” she said. “I’ll need to remember that for
next time.” We were silent as Larissa smoked. I drank some beer and thought
about that Facebook picture of her covering her ass in nothing but smiling
skull underwear. “I suppose I should do something benevolent like invite you to
my after-party.”
“I never went all
in for hokey religions like benevolence” I said. “But thanks.”
“None of that
drunk and crazy stuff that you write about.”
“I’m too old for
drunk and crazy,” I said.
“Your poems are
fake?” Larissa said.
“They’re old at
this point. At least the ones about the bar are old.”
Larissa put her
e-smoke into the pocket of the big leather coat and came closer. In the light
in the front of the Modern Era she looked a lot softer than this dark, hard
emo-punk thing she had going. The eyes were baby blue. “I’d love to see that
bar.”
“It’s gone the way
of all the old relics,” I said. “It’s a sports bar now.”
“Everything is,” Larissa said. “America
and its sports obsession. Imagine if we cared about the environment as much as
football. Or…”
“All those Chinese
people making iPhones and iPads.”
“Touché again,
Rand Wyndham.” We were silent a second. She looked like she was considering me.
For what I had no clue. A pagan sacrifice? A tear tattoo under my left eye. “So
will you come to the party?”
“Parties are for assholes
and people who need constant amusement,” I said.
“I knew you’d say something like that,”
Larissa said.
“I’ve become tired
and predictable to you already?”
“No, I can just
tell you want people to work for it.”
“It’s the former
fat kid in me,” I said. “I’m never certain of anyone’s adulation or love. I’m
always waiting for the other shoe to drop.”
“Hmmm….do you see
a therapist?”
“I don’t even talk
to a bartender anymore,” I said.
Larissa fanned
herself with some poet’s book. “It really is so humid.”
“November in New
York,” I said. I pointed at the coat. “Also, you’ve got a dead beast draped
over you.”
“Excuse me?” She
stepped back and turned like she was modeling the coat for me. I just watched
those yoga-muscled legs cozy in those combat boots. Maybe I did have a dark
side where women were concerned. “This is faux
leather.”
“No faux animals
were harmed?” I said.
“Ha…ha…ha.”
Larissa faked. She looked up into the starless Brooklyn sky. “It is
frightening,” she finally said. “All of these people thinking this is nice weather when they should be
terrified. No wonder we can’t get decent climate change policy passed.”
“Weak assholes
love to go to the park and never shiver,” I said. “Me? I’m more of a dead of
winter type. More a dark bar on a sunny day man.”
“I like that we
have climate change between us,” Larissa said.
“And don’t forget
the yoga.”
“Are we even
Facebook friends, Rand? Or are you like a super, poet-bro troll?”
Luckily Fidel came
up the street, so I didn’t have to go into lurker/stalker territory with
Larissa. He had his arms around two women and couple more of them trailing
behind him. Some men had it, and some men looked at pictures of emo-punk poets
posing with their ass upright whilst in a red bikini. How’d she even take that
photo? I hazard to guess.
“Little Bukowski,”
Fidel said to me. He had sunglasses on and was wearing a dark blazer and white
shirt unbuttoned half-way. With the long hair and shaggy beard, we were
suddenly back at Studio 54. Fidel wore climate change well.
I took a hit on my
beer. “Fidel if you were anyone else, I’d deck you. If you were El Nino I’d
strike you where you stand. There’s a table full of books in there and a room
packed full of inheritance wealthy hipsters just throwing it away on Jackson
Urban, and not a copy of The Asshole at
the End of the Bar to be seen.”
“Peace brother.”
We bro-hugged. “The book is coming. Your mas-ter-piece is close to finished. But tonight is not about commerce,
it’s for genius and art.”
“Shit, you came to
the wrong place.” I winked at Larissa and she crossed her arms.
“I’m always in the
right place,” Fidel said
“Are you
responsible for Jackson Urban being here,” I said. “I’ve been out here for five
minutes and I can still feel the bile rising.”
“Jackson happens
to be a genius,” Larissa said.
“Is that why you
stormed out and missed his set?”
“He’s topical.”
“So is anyone who
spends five minutes reading online comment pages.”
“You don’t think
what he says resonates?” Larissa said.
I did. But I
wasn’t giving Jackson Urban the satisfaction of taking up the mantle of the
next LeRoi Jones. At least not while he kept whining to me about purloined
drinks and superhero movies being the new American colossus. “Talking to most
of America about social issues and race relations is like talking to your
obese, deaf and blind uncle who just wants more gravy on his meat.”
“That makes no
sense,” she said. “And what are you? A walking metaphor tonight?”
“You’ll have to do
better than metaphor if you want to compliment me,” I said.
Fidel laughed. “I
love watching people court,” he said.
“I’m not…” Larissa
started.
But Fidel walked
inside the Modern Era with his posse. Larissa hesitated a second but then she
mouthed the party and joined them. I
stayed outside and drank my beer, and thought about emo-punk yoga, the fine art
of photography and truly learning the definition of a metaphor. The shops and
cafes along Wythe Avenue were bright and lively. Some were still seating people
outdoors. No one truly cared that our world was dying. I felt sort of sick. I
assumed it was from hearing bad poetry, or sweating my ass off. I was desolate
and hollow.
I kept coming back
to that book. All that work I’d put into it. All those nights not getting quite
bombed so I could get up the next morning relatively sober and put down words
instead of beer shits. All so I could write about my life. All so I could get
something down for me, to prove that Rand Wyndham existed. A poetry book
instead of a life. Ten months of my life plotting and planning the novel too,
just to have Carolina show up at Cornelia Street and flush it all down the
toilet. Okay, ten months of thinking
about the novel and writing one sentence. But ten months was ten months.
“Pal.” I turned
toward Modern Era and Killian had his head poking outside the door. “It’s your
turn.”
I went to shoot
down the rest of my beer. I discovered there was no beer. There were only dregs
left in my can. I took it. I turned and started trudging into the gallery. I
could hear the Francis Dune burping and introducing me. I threw a couple of
jabs at the bad art hanging on the wall. I found my poem folder where I’d left
it. Killian tossed me a beer. I scowled at Jackson Urban and licked my lips at
the sight of Larissa Haven-St. Claire’s legs. She caught my eye. I winked. She
turned away and shook her head. It was time to do what I did. Be the poet.
Commit suicide for the blood thirsty bastards.
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